The collaborative nature of the artworks manifests as shapes contained in the pictorial field as the outcome of a hybrid and decentered gestuality. Each element implies the search for equilibrium between two distinct postures; this notion of balance is materialized in the mediation found in conversation and dialogue. The resulting assembly maps out a series of dispositions that fluctuate amid polarity and attraction.
An abstract vocabulary inhabits the pictorial and sculptural objects created by Celeste, deriving from a sensibility that understands geometry as a rhythmic expression of inwardness and the exterior world. This vision condenses within the canvas a sequence of archetypical elements ranging from the spherical disposition of celestial bodies, the angularity of the architectural plane and the human body as a principle of scale. Each work becomes a unique exercise of calibration aiming to depict a resonance between symbols; in their chromatic disposition they blend together and overlay.
Considering the exhibition space, Celeste creates paintings in constant expansion that find a certain correspondence with muralism since they coincide in the intention of combining the pictorial with the architectural, but from a dynamic and portable rationale. Instead of pursuing the permanence of a concrete space, these immersive paintings perform the production of an impermanent environment which could function as the stage for a determined action or situation.